In August I did a post which covered the flutes I had played before getting to university; now I will covering ALL the piccolos I have owned and played from high school (which was when I started playing flute) through graduate school.
One important note before I get into the reflection is that it is very common in my area that university students upgrade to a professional piccolo – a piccolo made of higher quality materials (resin/wood/metal); even in my undergrad (as a Music Education major) I felt this pressure to upgrade. And then as a Master of Flute Performance student there is DEFINITELY a push to upgrade, however, I am here to share why this isn’t a must have. Don’t feel pressured to do something that isn’t financially viable or you (yourself) feel is necessary.
It is important to know that I started playing flute as a sophomore in high school for marching band. The flute section comprised of 2 seniors, 2 sophomores, and 2 freshman. Because the seniors were graduating I started my piccolo training only 3 months after learning flute (this is as a 15 year old).
- Emerson – Nickel Silver Plated
- Durable for outdoor playing, I used mine exclusively for marching band every year.
- Metal LH 1st finger rest to help with the size difference from flute (like a hand crutch).
- Reliable – I kept this instrument through my undergrad for any outdoor playing – the mechanism held up well.
- The shrillness that comes with metal piccolos – less suited for indoor/concert playing.
- Jupiter Nickel Silver Plated Head; Plastic Body*
*Before the PROS/CONS I just need to disclose I went through FOUR (yes, 4!!!) of these in a month so here’s what happened: The September of the following school year – my first school year exclusively on marching piccolo – I took a trip to a SamAsh because it was “the” musical instrument distributor in my area. The night I took home my first one I was practicing and then went to remove the head joint… and off came the barrel (aka the part that attaches the body to the head). We went back the next day and got a replacement… and I tried it in store (cautious) and it happened again. I’m not here to say anything bad about SamAsh or Jupiter, but this was VERY frustrating 8 years ago (now it’s actually comedic). I don’t know why we kept on going back to this one model of piccolo, and for context this all took place in the month of September by October I had found the piccolo I still have today. On the 3rd and 4th piccolos, there were issues with the mechanism going out of alignment. Anyway so:
- Decent price (just speaking on my own experience I can’t say much more than that)
- FRAGILE – better suited for indoor/concert rather than outdoor/marching
- Quality assurance – in my own experience from 2013
- Gemeinhardt 4SP; Plastic Head and Body
WINNER, WINNER. This is the piccolo I still own today, of course I have played professional piccolos, but in my own experience this piccolo plays well enough that I can not justify the price gap from this to a higher quality one.
And also considering that when you upgrade to a professional instrument you also have to pay for professional REPAIRS!!!! That is the biggest reason I keep this piccolo, it saves literally hundreds of dollars to play on this piccolo (especially considering piccolos go out of alignment much easier than flutes).
- Durable; can manage both indoor and outdoor playing
- The plastic helps reduce the shrillness in the tone, more suitable for playing indoors than metal student piccolos
- Stable tuning/intonation – 8 years on the piccolo – and even after playing professional piccolos I find that I can navigate tuning on this instrument with no issues.
- Not available anymore – the current comparable model would be the 4P
Bonus: Piccolos I Played In College
- Haynes – Grenadilla Wood
This was a school instrument that I shared and borrowed within my studio, mainly because there was a stigma on student piccolos versus professional.
- The wood made the tone significantly less shrill.
- Durability – for all wooden instruments, being mindful of the temperature and not cracking the wood.
- Scale, tuning – this particular piccolo just didn’t feel right under my fingers for the few years I played it; and intonation was always a struggle between registers.
Basically designed to be a “small flute” – has RH pinky keys, extending the lower register of the piccolo.
I don’t have any PROS/CONS for this still I tried it at a convention, but it was mind-blowing and I am still mildly interested in owning one for the novelty of a piccolo actually being designed to be a “small flute”.
What piccolos have you played? Thoughts on student versus professional models? Let me know your thoughts in the comments!